Pat McGee – No Wrong Way to Make It Right (2011)

Posted on December 9, 2011 in All Exclusive,Melodic Rock | AOR by Alex F

 

Pat Mcgee Releases No Wrong Way To Make It Right

No Wrong Way To Make it Right is the title of Pat McGees new album. The album will be available at all his upcoming shows, including the sold-out show at City Winery in New York on Friday, February 18 and the sold-out show at the Birchmere in Alexandria, VA on Friday, February 25. Tickets are still available for shows at Infinity Hall in Norfolk, CT on Thursday, February 24 and The National in Richmond, VA on Saturday, February 26. Tickets are on sale for other upcoming shows, as listed below.
This will be a limited release before I present it online, so if you cannotmake it to a show, place your order now by clicking here:
http://patmcgeeband.shop.musictoday.com/
Pats word about the record
I am so proud of this record for lots of reasons. It is by far my mostpersonal record, touching on subjects I formerly shied away from and at thesame time staying true to what comes naturally to me. It has my heaviest andmost delicate moments ever caught on tape. It truly is a reflection of allthe music I grew up loving and couldn’t hide from–it’s all there in thesetracks. The album represents the perfect blend of all my influences. (Please see my journal below for much more about each of the songs and the making of the album.)
The album is produced by Doug Derryberry, a longtime friend and someone that Iadmired as a wide-eyed 17-year-old taking in the local bands in the DC musicscene. I wrote some of the songs alone at home and some on the road with friends such as: Jason Mraz, Stephen Kellogg, Ryan Newell of Sister Hazel, Keaton Simons, Mike Daly from Whiskeytown and Emerson Hart from Tonic.

No Wrong Way To Make It Right
Juliet
How We Got Here
See You Again
End Of The Innocence
Take A Bow
Done To Me
They Think We’re Not Gonna Make It

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Merciful Nuns – Xibalba III (2011)

Posted on December 9, 2011 in Rock by Alex F
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The Underworld, a place of fear, segmented into nine planes and ruled by 21 Lords. Artaud Seth, Jawa Seth and Jon take us on a descent into this unreal world. After the debut album “Lib.1” and its follow up “Hypogeum II” released earlier this year, the third long player of the MERCIFUL NUNS is now available: “Xibalba III”.

Completely unphased by trends and inclination for ingratiation to the listener Artaud Seth in his role as mastermind behind the MERCIFUL NUNS continues to traverse his chosen musical path. Traditional Gothic Rock produced brilliantly not only in the context of present demands but quite simply seminal for timeless great music.
Goth as a mixture of widescreen epic and massive walls of guitar sound, sacred choir chants, rattling drum computer and Artaud’s sepulchral voice permeating through every fibre of one’s body, at times plunging its intrinsic despair deep into the heart of the listener. And yet, even this does not adequately describe the musical workings of the NUNS.
The primary objective is to ensure the survival of the Goth-Rock spirit of the 80’s and early 90’s into the modern era; to not only recollect the sound but also from a lyrical perspective, to recall the origins of Gothic culture. Hence we find in “Xibalba III” mythological themes in the foreground. Where do we come from? How long have we been occupying this Earth? Is there such a thing as Gods from outer space? Such questions and more await the listener.
MERCIFUL NUNS are much more than just the sole legitimate successor of the three musicians’ legendary former band GARDEN OF DELIGHT! The NUNS have already attained cult status and must be regarded as seminal for intelligent listening pleasure!
For more info visit the band official facebook, any of our lodges or the official sitewww.mercifulnuns.com

01. The Prophecy [5:46]
02. Radiation [3:35]
03. Dark Trails [4:10]
04. Year Zero [6:06]
05. Ancient Astronauts [4:48]
06. Dwellings Of Gods [4:34]
07. The Return [3:20]
08. In Between Worlds [8:17]
09. 13.0.0.0.0 [Bonus Track] [5:35]

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Hawkwind – The Xenon Codex (2010R) (1988)

Posted on December 9, 2011 in Progressive Rock by


Band Hawkwind
Info: The Xenon Codex (2010R)
Style: Progressive Rock / Space Rock
Years: 1988
Info: CBR 320 kbs
Info: 168,47 Mb
Info: UK

Tracklist:

01 – The War I Survived.
02 – Wastelands Of Sleep.
03 – Neon Skyline.
04 – Lost Chronicles.
05 – Tides.
06 – Heads.
07 – Mutation Zone.
08 – E.M.C..
09 – Sword Of The East.
10 – Good Evening.
11 – Ejection [07-12-1988 Nottingham, Rock City].
12 – Motorway City [07-12-1988 Nottingham, Rock City].
13 – Dragons and Fables [07-12-1988 Nottingham, Rock City].
14 – Heads [07-12-1988 Nottingham, Rock City].
15 – Angels Of Death [07-12-1988 Nottingham, Rock City].

Rip By: Yura77

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Knights Of Round & Dragon Guardian – Shinsengumi Masenki 2011

Track List:

01 – Shinsengumi Masenki
02 – Akaki Namida
03 – Sakura Saku Basho
04 – Konayuki ni Hoeru Gishi
05 – Hajya no Hitomi
06 – Tagatame ni Shura wa Naku
07 – Hachamecha na Mainichi
08 – Goryoukaku no Tatakai
09 – Kanashiku Hohoemu Kaze no Senritsu
10 – Fujita no Nisshi ~Ketsu~

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Cage – Supremacy Of Steel (2011)

Posted on December 9, 2011 in Heavy Metal |Power Metal by Alex F
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  • Cage, San Diego’s self-professed American power metal kings, has returned with their sixth album, Supremacy Of Steel. Formed in 1992 during the outbreak of grunge, Cage remained true to their sound. Almost two decades later, Cage has maintained a classic heavy metal vibe.

Similarities to Iced Earth, Judas Priest Painkiller-era and King Diamond all come to mind frequently. Vocalist Sean Peck’s high octave screeches might turn some people off, but Halford and King Diamond make a decent living from their falsettos. Some people might also scream Judas Priest or King Diamond rip-off, but those are just two artists that have had an impact on Cage’s sound.

The double guitar attack of Dave Garcia and Steve Brogden, the bottom end assault of Pete Stone, and the thunderous drum display of Norm Leggio (Psychotic Waltz), provides the powerful backdrop to Peck’s air raid siren wails.

Cage’s songwriting and story-telling is part of the band’s strengths. Whether it’s a historical, war-related or horror-themed song, they vividly capture the mood lyrically. Some material verges into cheesy territory or silly comic book scenarios, but otherwise, Cage produce some ass-kicking metal songs.

“Bloodsteel” opens with some heavy reverb-laden tremolo picking and black metal blast beats which then settles into a fast paced metal riff in the vein of ”Jugulator.” One-man black metal band Bitter Frost performs a guest lead guitar spot.

“Metal Empire” is a slightly cheesy ode to heavy metal — fans of Manowar should dig it. “War of the Undead,” is one of the fastest and thrashiest songs Cage has ever penned. Peck is a real scream machine the whole way through. A soon-to-be classic Cage song is “The Beast of Bray Road.” It has references to “Black River Falls” from their last albumScience Of Annihilation and is about a werewolf.

When it comes to Cage releases, the packaging is top-notch. The brilliant cover artwork of Marc Sasso (Dio, Halford) and the stunning 16-page inside booklet complete with lyrics and artwork by Danial Duarte and Forrest Butler are great visuals to accompany Cage’s aural assault.

Cage has been slugging it out in the metal world for almost 20 years. Some people love ’em, some people hate ’em. But on Supremacy Of Steel, there’s no doubt that Cage is more than capable of delivering the metal goods.

01. Bloodsteel (feat. guest artist BITTERFROST)
02. The Beast Of Bray Road
03. King Of The Wasteland
04. Metal Empire
05. War Of The Undead
06. Flying Fortress
07. Doctor Doom
08. Annaliese Michel
09. Braindead Woman
10. The Monitor
11. Hell Destroyer vs. Metal Devil
12. Skinned Alive (bonus track for Europe)

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