ACOUSTIC SAINTS – ACOUSTIC SAINTS (2012)
COUSTIC SAINTS is new band put together by guitarist, singer and songwriter AOR icon Stan Bush, bassist Chuck Wright (Quiet Riot, House of Lords, Giuffria) and Rick Sailon (Laura Brannigan, Richard Page, Jim Messina).
While Stan Bush is most likely working on a new album, ‘Acoustic Saints’ started as a side project intended to play some small gigs.
Stan had to say: “Yeah, we just got together with Chuck to play some acoustics, this is a very cool thing. We’re doing only great classic songs, with a few originals thrown in. It’s myself, Chuck Wright with his acoustic bass and Rick Sailon on violin, acoustic guitar & mandolin.”
The Acoustic Saints reinterpret Classic Rock fave tunes from the ’70s and ’80s, such as “Whiter Shade Of Pale”, “Hotel California” or Bush’s penned “Love Don’t Lie” (popularized by House of Lords) with a moody atmospheric vibe.
This is a promotional only recording, not for sale.
Catch them at the Hard Rock Hollywood (right on Hollywood Blvd!) on January 14th, 2012!
01 – Boys Of Summer
02 – Ramble On
03 – Maggie May
04 – Whiter Shade Of Pale
05 – Love Don’t Lie
06 – In Your Eyes (Live)
Stan Bush – Lead Vocals, Acoustic Guitar
Chuck Wright – Acoustic Bass, Backing Vocals
Rick Sailon – Violin, Acoustic Guitar, Mandolin
USA
Classic Rock / AOR
192
58 MB By SandFord
album
Continue reading ACOUSTIC SAINTS – ACOUSTIC SAINTS (2012) -->Shame 18 – Dead Eyes Are Forever Gone (2010) EP
Year: 2010
Style: Sleaze / Horror
Country: Jönköping, Sweden
Format: mp3, 256 kbps
Size: 50 Mb
Tracklist:
01. Never Sleep Again
02. Deadly Addiction
03. The Devil In Me
04. Die Dear Bride
Line-Up:
Chris – Lead Vocals & Guitars
Simon – Lead Guitar & Backup Vocals
Adam – Bass & Backup Vocals
Ricky – Drums
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EP
Continue reading Shame 18 – Dead Eyes Are Forever Gone (2010) EP -->Prism – Armageddon (1979)
Band Prism
Info: Armageddon
Style: Melodic Hard Rock / AOR
Years: 1979
Info: CBR 320 kbs
Info: 100,26 Mb
Info: Canada
Tracklist:
01 – Comin’ Home.
02 – Jealousy.
03 – Virginia.
04 – You Walked Away Again.
05 – Take It Of Leave It.
06 – Armageddon.
07 – Night To Remember.
08 – Mirror Man.
Rip By: Geshuk
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Continue reading Prism – Armageddon (1979) -->Praying Mantis – Nowhere To Hide (2000)
Band Praying Mantis
Info: Nowhere To Hide
Style: Melodic Hard Rock
Years: 2000
Info: CBR 320 kbs
Info: 142,70 Mb
Info: UK
Tracklist:
01 – Nowhere To Hide.
02 – Cruel Winter.
03 – The Clocktower.
04 – Can’t Stop The Fire.
05 – Future Of The World.
06 – Whenever I’m Lost.
07 – You’ll Never Know.
08 – River Of Hope.
09 – Naked.
10 – S.O.S..
Rip By: Wcmy1
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Continue reading Praying Mantis – Nowhere To Hide (2000) -->Michael Omartian – White Horse (1974)
Band Michael Omartian
Info: White Horse
Style: Pop Rock / CCM / Funk
Years: 1974
Info: CBR 256 kbs
Info: 74.91 Mb
Info: USA
Tracklist:
01 – Jeremiah.
02 – Fat City.
03 – The Orphan.
04 – Silver Fish.
05 – Add Up The Wonders.
06 – Take Me Down.
07 – Right From The Start.
08 – The Rest Is Up To You.
09 – White Horse.
Rip By: Poiemajeremiah
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Niels Veljyt – Sthenic (2011)
Band: Niels Vejlyt
Album: Sthenic
Release: 2011
Label: Lion Music
Genre: Instrumental neoclassical shred
Following in the footsteps of the great neoclassical shred guitarists, Danish axeman Niels Veljyt has taken time away from Infinity Overture, My Empty Room and his own online guitar school to release his sophomore album Sthenic, a marked improvement from début The Predator in both production and composition. It’s relatively short at 40 minutes, but full of proof of his abilities, mixing in various metal styles such as heavy, melodic and progressive.
Enlisting the help of Kris Gildenlöw (ex-Pain Of Salvation) on bass and Jakob Vand (Infinity Overture) on drums, Vejlyt sets out to explore various fretboard techniques such as arpeggios, taps, sweeps and sustained notes, akin to his forefathers Satriani, Vai and Malmsteen, but unfortunately also succumbs to one of their faults: there are very few of the simpler chord progressions and riffs themselves, which means the songs are more divided sections that are repeated, such as in “Rain”. His guitar is like a vocal instrument rather than a stringed instrument, forming complicated and meandering lines that are less memorable than the power-ballad-like sustained notes such as on opener “Heads Up”.
To give the other musicians their credit, Gildenlöw and Vand hold up their ends very well. The bass is audible in several parts, including one multi-layered guitar section in “Die Today” which is particular chaotic. The drums play an interesting role in “My Little Rascal”, opting for a slow groove while Vejlyt flies quickly with tap after sweep, slowing down only when “Kajsa” commences, an interesting ballad intertwining just piano and guitar, and then finishing with the lengthy closer “Winter”, a relaxed acoustic riff and floating bassline that abruptly breaks out into the heaviest song of the lot, in a vibe reminiscent of Symphony X. Certainly an attention-grabbing finisher, but it unfortunately makes the middle tracks slightly forgettable in the build-up.
The world ‘sthenic’ means “possessing a high level of strength and energy”, and that is certainly the case here. For those that enjoyed John Petrucci’s Suspended Animation or the work of Michael Romeo, this comes highly recommended, as well as for any guitar enthusiasts or newcomers to the shred style.
01. Heads Up 03.23
02. Die Today 05.12
03. Rain 04.28
04. Samurai 04.46
05. Meteors 04.47
06. My Little Rascal 04.16
07. Kajsa 04.19
08. Winter 09.16
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album
Continue reading Niels Veljyt – Sthenic (2011) -->