Fronted, with a marvellous sense of style, by golden voiced Leigh Matty and supported by a team of grade-A band members, Romeo’s Daughter blazed a path – with impassioned vocals, great production and songs to die for – through the melodic rock hinterlands during the late eighties collapsing in an exhausted heap at the finishing line.

OF All the British melodic rock groups operating out of the UK during the late 1980’s Romeo’s Daughter were, undoubtedly, viewed as the great white hope; they were the saviours of the scene, the band most likely to succeed. And let’s face it they had it all; an astonishing lead vocalist, killer musicianship, superbly crafted songs and a dedicated label. What could go wrong?