TAHNEE CAIN and TRYANGLZ ’80s recordings packed under the title “Tryanglz“. These are not the demos traded for years between collectors, nor the Japanese AOR Moon Collector’s Promo bootleg releases.

The cameras which brought the concert to screen were sixteen Sony PMW-F55 CineAlta 4K cameras, and with a variety of cinema lenses, including 5 Angenieux 24/290’s, an Elite 120/520, a number of Optimo 14/52’s and with Fujinon 19-90 Cabrio and 85-300 Cabrio.