Diamond Dogs -Set Fire To It All (2012)
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2012 marks the 20th anniversary of Swedish rock ‘n’ rollers Diamond Dogs, who will celebrate with a new album, a live concert DVD, and worldwide touring.
On the new record ‘Set Fire To It All’, available on March 9th through Legal Records, the Diamond Dogs once and for all show why they are called the finest boogie rock collective in the world. Twenty years of group members performing together on 13 bright shining studio recorded tracks. Those who have followed this grand band’s bewildering career will, on this unique album, enjoy contributions from musicians they recognize throughout Diamond Dogs’ intense history as they have through the years included members from band’s and artists like The Hellacopters, Wilmer X, Ian Hunter, Dogs D’Amour, Johnny Thunders, and Hanoi Rocks.
‘Set Fire To It All’ takes the listener right into the hard glam boogie world of the great Scandinavian Diamond Dogs. Diamond Dogs has been touring the world for almost 20 years, now and then, along with friends like Nazareth, Ian Hunter, The Cult, Hanoi Rocks, The Damned, Sensational Alex Harvey Band, The Quireboys, and Dan Baird/Georgia Satellites.
For the recording sessions of ‘Set Fire To It All’ the Diamond Dogs also lined up the services of vocalists Spike (Quireboys), Ryan Roxie (Alice Cooper), Danny Bowes (Thunder), and Dan Baird (Georgia Satellites) among others.
The line-up on ‘Set Fire To It All’ includes Sulo (lead vocals), Fredrik Fagerlund (guitar), Lars Karlsson (guitar), Martin Tronsson (bass), Johannes Drain (drums), Duke of Honk (keyboards), and Magic Gunnarsson (saxophone).
‘Set Fire To It All’ tracklisting:
1. On the Sunny Side Again 2. Set Fire to it All 3. Mama Let the Mad Dog Run 4. Scars and Emblems 5. Lay Me Down On Solid Ground 6. Bad But Not Ruined 7. Ball of Lightning 8. The Inner Jukebox Blues 9. Sweethearts for Christmas 10. Burn One Down 11. Nothing Can Change this Love 12. Stand by the Rhythm 13. In Each and Every Ballroom |
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Continue reading Diamond Dogs -Set Fire To It All (2012) -->RICK MILLER – DARK DREAMS 2012
Buy Quallity Here and Support RICK MILLER!
Canadian composer and multi-instrumentalist RICK MILLER made his debut effort as a solo artist back in 1983 with the new age production Starsong, which shifted a highly respectable 30.000 units at the time. He would follow up this venture with Windhaven in 1987, and his efforts Interstellar Passage from 1998 and the EP No Passion, No Pain from 2009 would continue exploring similar musical territories.
But after honing his craft working at Sound Design Studios in Toronto throughout the 80’s and 90’s, Miller wanted to have a go at his true musical love as well, atmospheric progressive rock inspired by artists such as Pink Floyd, The Moody Blues and Steve Hackett.
This lead to a flurry of releases following the start of the millenium: The One (2003), Dreamtigers (2004), The End of Days (2006) and Angel of My Soul (2008). These efforts gave Miller a good reputation, and in 2009 he was signed by Canadian indie label Unicorn Records. His first release for this label was the 2009 effort Falling Through Rainbows.
Band Rick Miller
Info: Dark Dreams
Years: 2012
Info: Canada
Style: Progressive rock
Tracklist: Mp3/ 192kbps
Info: 63.8 Mb
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01.Return To Uqbar 06:13
02.Angels In The Forest 08:17
03.When The Evening Comes 02:56
04.Whisper 05:23
05.The Transcension 02:26
06.Quiet Desperation 06:48
07.Hear The Ocean Roar 03:24
08.Man Out Of Time 05:19
09.The One (Reincarnate) 04:22
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Continue reading RICK MILLER – DARK DREAMS 2012 -->Crow7 – Symphony Of Souls (2012)
This German band has coined a catchy tag for their style of music: ProMeRo, which stands for Progressive Metal-Rock. It’s a memorable descriptor designed to announce their presence as a hybrid band that incorporate several different genres into their sound (besides progressive, metal, and rock, the group also mixes in modern rock, dabbles in death metal, and slips in some symphonic subtleties). Unfortunately, the acronymic tag is better than the actual music.
The press release claims Crow 7’s sound resembles “the good old rock of the ‘80s.” Yeah, well, McDonald’s can claim their Big Mac tastes like filet Mignon, but that don’t make it so. This album has as much in common with ‘80s rock as Paris Hilton has in common with a starving street urchin. What this album really sounds like is progressive rock slathered with the slick, beefy production so popular today peppered with some death metal growls to increase the intensity and up the modern metal appeal. Hard rock and power metal chops also come out to play once in awhile, but at its core this is modern prog with about as much interest in the ‘80s as the Pope has in exchanging his rosary beads for anal beads.
The musical mash-up Crow 7 attempted is laudable, even if it must be considered a failure. So many artists are content to cower in the comfort zone and crank out exactly the same thing as a thousand bands before them, so kudos to Crow 7 for having the guts to go against the grain and attempt something adventurous. The problem lies not with the innovative concept itself, but in the execution of that concept. While the members are all very skilled and the production is impeccable, there is an absence of energy and a hollow void where the hooks should be. With its tendency toward brooding seriousness, the progressive metal genre sometimes struggles to hold listener interest, and this is a struggle thatSymphony of Souls fails to overcome due to a scant supply of interesting songs.
But “scant” does not mean “absent.” Sift through the endless supply of tracks. Seriously, fifteen tracks is overkill—and you will uncover a handful of decent songs. “Street of Slaver” and “The Guide” both sport solid enough chorus hooks to make them stand out, though “solid” should not be confused with “good.” Sure, these songs are more listenable than the other dullards on the album, but that is damning with faint praise. Joining them in the “solid” category is “Dirty Lies,” a rocking mid-tempo number that avoids slavish commercialism by adding a progressive touch to the chorus as well as some growled backing vocals. “Breed of the Crime” brings some appreciable metal credibility to its sonic output despite the symphonic keys and violins accentuating the back of the mix, while “The Final Ride” brings a burst of double-kick adrenalin. Still, even if all these songs are awarded a passing grade, there are still ten songs remaining, and few people will be satisfied with that kind of lopsided ratio.
Symphony of Souls strives to be all things to all people and ends up satisfying none. Credit to the band for daring to do something different, but the cool idea is crippled by flawed execution and a disjointed approach to too many broad genres. The prog practitioners won’t appreciate the death metal dynamics. The hard rock crowd will be bored by the long songs and lack of catchy hooks. The heavy metal component doesn’t make an appearance often enough to satisfy the headbangers and the growled vocals do not offer enough compensation. And the symphonic elements are too much of an afterthought to impress that demographic. The band may describe themselves as ProMeRo, but a better phrase would be “jack of all trades, master of none.”
Genre: Progressive, Modern, Melodic, Rock, Metal
Band:
Corbin Eved (vocals, guitar)
Seth Aban (guitar)
Gideon Vanth (bass)
Janus Mantus (drums)
Track Listing
1. Symphony of Souls
2. Street of Slaver
3. Shiva Sigh
4. The Guide
5. Kingdom of Calm
6. Spawn of Evil
7. Dirty Lies
8. Virtual Reality
9. Great Spirit
10. Winter Breeze
11. Breed of Crime
12. Ocean of Fire
13. Winner of the Quest
14. The Final Ride
15. Where Do We Go Now
Label: SAOL
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Jeremy Horn – Sound of the Broken (2012)
was born and raised in Memphis, a town where the music flows through the streets like rainwater. He grew up listening to the Beatles, but couldn’t help being influenced by the sounds of Memphis: Sun Studio, Beale Street, jazz, rock and blues. Just down the road from Beale and Sun is another musical landmark, Ardent Recording Studios.
Sound of the Broken was recorded at Ardent Studios and co-produced by Horn alongside James Joseph (Todd Agnew) and Curry Weber (Todd Agnew, Joy Whitlock).
Horn’s desire to serve through music has resulted in his role as the worship leader in his home church, Christ the Rock Community Church in Memphis, and an understanding of his calling.
Artist: Jeremy Horn
Album: Sound of the Broken
Release Date: March 6, 2012
Genres: Rock, Rock/Pop
Format | Bitrate: MP3 | 320 Kbps
Size: 74,7 Mb
Tracklist:
01. Sound of the Broken
02. Now Is the Time
03. Only God Who Saves
04. Sons and Daughters
05. Surrender
06. Emptied
07. Where You Are
08. Faithful
09. Father of Lights
10. This Reflection
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Continue reading Jeremy Horn – Sound of the Broken (2012) -->HELP! For JAPAN – HELP! For JAPAN (2012)
The first anniversary of the disastrous earthquake in Japan will be on March 11th, 2012. The aftermath of this catastrophe is still apparent, and to the present day the Japanese people are facing the impact of the events. The population of the affected area has not been able to completely return to their everyday live and the people are still grateful for our help.
Some of Europe’s leading Rock artists have united to join a campaign initiated by singer Tommy Heart (Soul Doctor, Fair Warning) and recorded a tremendous new version of the classic Beatles song “Help”. The EP “Help! For JAPAN” will be released in Europe on the German label Avenue Of Allies in early March 2012. All income from the sales of this project will be donated to the Japanese Red Cross.
This EP includes the following four songs :
- HELP!
- HELP! (Tommy Heart Version)
- HELP! (Guitar Version)
- HELP! (Extended Version)
The musicians: Don Airey (Keyboard & Piano, Deep Purple), Leo Leoni (Gitarre, Gotthard), Neil Murray (Bass, ex Whitesnake), Hena Habegger (Drums, Gotthard)
The singers: Tobias Sammet (Edguy, Avantasia), Bob Catley (Magnum), Andi Deris (Helloween), Torstein Flakne (Stage Dolls), Marc Storace (Krokus), David Readman (Pink Cream 69), Claus Lessmann (Bonfire), Oliver Hartmann (Hartmann), Ralf Scheepers (Primal Fear), Bernhard Weiss (Axxis), Michael Kiske (Unisonic), Tony Mills (TNT), Carsten Lizard Schulz (Evidence One) and Tommy Heart (Soul Doctor, Fair Warning),
The solo guitar players: Cede Dupont (Downspirit), Kyoji Yamamoto (BowWow), Helge Engelke (Fair Warning), Roland Grapow (Masterplan), Leo Leoni (Gotthard), Henny Wolter (Nitrogods), Robert R. Rodrigo (Airless)
All “HELP!” versions produced and mixed by Tommy Heart, Tommy Remm & Rene Schostak (Valicon).
Vocal Arrangement by Tommy Heart.
Solo Guitar Arrangement for “Help” (Guitar Version) by Helge Engelke.
Audio mastering by TMM/Tom Müller Berlin/Germany.
Cover artwork “Help! For JAPAN” designed by Kai Swillus.
Please support us on this project by publishing these news and clicking on the ‘like button’ on the facebook site mentioned below!
http://www.facebook.com/help.charity
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Mick Simpson – Cruel World (2012)
The hotly anticipated new album by this UK blues guitar hero, featuring tracks influenced by artists such as Gary Moore, Stevie Ray Vaughan, Robert Johnson, Eric Clapton and Jimi Hendrix.
The follow up to the successful ‘Hard Road’ album. Mick Simpson returns with 11 tracks of soaring blues guitar, driving rock anthems and emotional ballads. Includes a diverse range of blues and rock styles Influenced by the likes of Stevie Ray Vaughan, Gary Moore, Eric Clapton, Robert Johnson and Jimi Hendrix. Features guest vocal appearances by the fantastic jazz/blues singer, Malaya, and long term producer/co-writer, Andy Littlewood.
Band Mick Simpson
Info: Cruel World
Years: 2012
Style: Blues rock
Info: MP3 CBR 256 kbps
Info: England
Time: Mad Ears Productions
????? Tracklist: 50:10
Info: 114 Mb
Tracklist:
1. No Reason to Cry
2. Cruel World (feat. Andy Littlewood)
3. Number One
4. Find Another You (feat. Malaya)
5. Pay the Man
6. The Road to Memphis
7. Lie to Me
8. You Know My Love
9. Broken Man
10. Work It Out Again
11. Can’t Get Enough
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The Trial/Kory Clarke – 1984 (2012)
The most important thing to know about The Trial – this remarkable, squalling, sneering, despairing riot of art rock – is that this is the proto-Warrior Soul. The place, for Kory Clarke, that it all truly began.
By the time Warrior Soul started swinging blows of timely warning from the shadows of New York City, Kory had abandoned his drum kit and was standing up front – all hair, raised fists and metallic street poetry. Nothing has changed. Those that truly supported him then truly support him now. But how many of those people are aware of The Trial, the origins of Warrior Soul and an important band and album in its own right? Even the most ardent fan probably only knows of The Trial by name, and fewer still will have ever heard their music.
That time has now ended, with the release of this extraordinary and pivotal album, a release that quite incredibly hails from 1983, not merely years before the rise of grunge and alternative metal, but even pre-dating the Hollywood hair metal era that that scene usurped. If you wanted any further evidence of Kory’s artistry and forward thinking, here it is.
Confrontational and steeped in reverb, The Trial’s music stalks the dark underground channels between the first Warrior Soul album and classic Killing Joke. “Where do I fit in?” roars Kory in 9th Grade, the start of a quest that continues today. Songs like this, the fiery New Rock and the deliciously cynical Human Beings, fight the fight for the underdog and the disenfranchised, the self-proclaimed losers that don’t fit. Drenched in psychedelic, seething guitars – a sound familiar to those who freaked out to Warrior Soul’s Trippin On Ecstasy – the canvas is colored in dark hues. It is propelled by Kory’s exhausting rhythmic barrage and, of course, his voice – a voice that sounds like the last voice at the end of the last bit of everything. Last decade, dead century anyone?
It’s impossible to listen to this decades-delayed work and not picture the doubtless head-fucking spectacle of the band playing live. Kory at the back, singing and playing drums simultaneously (no small achievement in itself!) but projected to the audience on big screens at the front. Footage interspersed with disturbing images of corpses, of porn and American TV advertisements. This already was an artist seeking to challenge people’s preconceptions, to disturb, probe and ask questions. The wicked riffs and anti-establishmentarianism that pummels “Ruler” along is yet another sign of things to come. The skittering guitars and shout-out-loud hooks of “Skeleton Dance” follow suit.
Much has been written, not least of all by this writer, about how Kory Clarke and Warrior Soul were among the most important artists to emerge in metal’s turn-of-the-Nineties rebirth, and that by rights they should also have stood alongside its biggest selling. No feeling of injustice, however keenly felt, can ever re-write history but, satisfyingly, this early project confirms that we were right all the time. For Warrior Soul fans past and present, it’s time to stand Trial.
2. Skelton Dance
3. Romans
4. Jailhouse
5. Kasper Hauser
6. Hellicopter
7. Human Beings
8. Ruler
9. 9th Grade
Scarlet Haze – One bad Bitch (2012)
Los Angeles, CA – January 3rd, 2011 – Dirtbag / ILG / Warner Music Group is proud to announce the signing and debut release of recording artist Scarlet Haze. The band will be hitting the road in cities all over the US this Spring and Summer in support of the effort.Tour dates coming soon. The bands’ new album One Bad Bitch features performances by members of Guns N Roses and Nine Inch Nails. The first single “Reach Down” will be impacting radio on January 11th. The band is comprised of lead vocalist Kat Perkins and touring musicians Eric Warner (guitar), Steve McClurg (bass) and Peter Day Elledge (drums). The band tours extensively and has shared the stage with many national touring artists including Bon Jovi, Candlebox, Saving Abel, Vince Neil, Blackstone Cherry, Rev Theory and Bret Michaels of Poison. Kat’s sultry onstage persona is equally as dangerous as her music. Her attention to stage detail, musicianship, vocal ability and undeniable sexuality, both in attire and music, leave her fans both teased and pleased simultaneously.”Rock, like Scarlet Haze, is a full package,” says Kat, “it’s not just for the ears but the eyes as well – people just want to get off at a live show – and we aim to please!”
Scarlet Haze unleashes a truly fearless brand of hard rock on her Dirtbag / ILG / Warner debut. “Playing it safe is not something I back,” states Scarlet Haze lead singer Kat Perkins, “rock music is supposed to be dangerous.” Indeed, the band’s debut single “Reach Down,” which blends a hard edge melodic hook with sexy self pleasuring, is sonic proof of Scarlet Haze’s assault on safe music. “Reach Down,” says Kat, “is reactive and universal in subject matter because of its truth – everyone does it and that includes females.”
Scarlet Haze has amassed an impressive and loyal fan base, a who’s who of supporting musicians, a top-notch promotion / label team and is co managed by multi-platinum recording artist Disturbed’s bass player John Moyer-via Silver-Tongue Management.
Scarlet Haze – One Bad Bitch (2012)
Genre: Hard Rock
Origin: USA
95 mb | Mp3, VBR 273 kbps
01. Blame It On You
02. Can’t Get Enuff
03. There’s The Door
04. One Bad Bitch
05. Hero
06. Oxygen
07. Reach Down (feat. Ron Thal of Guns N’ Roses)
08. King of Loneliness
09. Sorry
10. Suffocating
11. Give Me A Reason
12. It’s You
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Continue reading Scarlet Haze – One bad Bitch (2012) -->VA – LET’S GET ROCKED VOL.13 (2012)
Artist: VA
Album: Let’s Get Rocked vol.13
Year: 29.02.2012
Style: Melodic Hard Rock/AOR/Heavy Metal
Format: MP3
Label: Death’s Door Rec.
Bitrate: 320 kbps
Tracks: 30
Size: 298 Mb
TRACKLIST:
Aria – Balance Of Forces
Arrow Haze – Elly Kedward
Beyond The Bridge – The Call
Black Obelisk – The Dead Season
Blessed By A Broken Heart – Deathwish
Bluerose – Rock On
Bullet Train Blast – A Life In Glory
Chickenfoot – Different Devil
Chris Antblad – In Your Eyes
Colorstone – Silverspoon
Dario Mollo & Tony Martin – Cirque Du Freak
Desert Sin – Destination Paradise
Flying Colors – Blue Ocean
Fox – Beds Are Burning
Furyon – Disappear Again
Halestorm – Love Bites (So Do I)
Hotel Diablo – What You Do To Me
Last Autumn’s Dream – We Never Said Goodbye
Lillian Axe – Bow Your Head
Manraze – Bittersweet
Mark Spiro – Dream Big, Pray Hard
N0LoveLost – Little Things
Pete Lesperance – The Ride
Primal Fear – Where Angels Die
RAM – Release Me
Tower City – Six Strings
Unisonic – My Sanctuary
Van Halen – Tattoo
Walking With Kings – Autumn Brings
Wolfsbane – Child Of The Sun
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Continue reading VA – LET’S GET ROCKED VOL.13 (2012) -->